From LSHG Newsletter #63 (Spring 2018)
The left, being supporters of democracy and elections, have
never been great enthusiasts for unelected rulers,
particularly - as many have done historically - when they
have claimed a ‘divine right’ to rule.
Yet in Britain republicanism, the idea that there should be
an elected head of state, has been a minority trend if one is
to compare it for example to French Republicanism which
had a revolution in 1789 to remove the King permanently.
It’s true of course that on 30 January 1649 King Charles I
lost his head in Whitehall, and a Commonwealth was in place
until 1660. At that date the monarchy was restored although
the events of 1649 have a place in radical history and
thought to this day.
Republicanism in Britain in addition has not always been
associated with the left. One need only look at President
Trump to understand why in the present moment this might
be.
Rather the majority trend on the left has been to have a
distaste for the patronage, privilege and forelock tugging
that goes with royalty, but to be clear that politically there
are other priorities.
It is this anti-monarchism, identified by Antony Taylor, an
academic who has provided perhaps the best modern
template for the study of opposition to royalty, that has
been the dominant trend in British republicanism. The
monarchy is not liked but it is specific instances of excess
and extravagance that are the focus of protest.
It’s in this general context that the forthcoming marriage of
the actress Meghan Markle and Prince Harry should be seen.
There are complications. Harry is of course a child of the
late Princess Diana whose life. and particularly death, did
much to highlight twenty years ago how out of touch with
the modern world the Royal Family had become.
Blair tried to fashion Diana as the ‘People’s Princess’ though
it is difficult to see any lasting impact of a campaign that
made a considerable mark at the time.
Prince Harry however has noted
that Donald Trump will not be
getting an invite to the wedding as
a he is a threat to human rights.
This seems to go somewhat
further than Theresa May has
managed.
It seems very unlikely
that her Government is up to
‘launching’ Harry and Meghan as
the ‘modern’ face of the
monarchy, in the way Blair did
with Diana.
Yet there is already commentary
that Harry marrying a person of
mixed race, Meghan, will change
the position in respect of race in Britain. It may certainly
boost the fortunes of the relatively small BAME middle class,
but it will take a great deal more than a wedding to shift
institutional racism, or ‘whitewash’ the colonial era and the
Empire and the crimes carried out in its name.
It also leaves us with a wider issue and one that was central
to nineteenth century protests at royal occasions.
These protests centred on what William Cobbett had called
‘Old Corruption’. That is a political culture of deference,
patronage and forelock tugging where those who hold
ultimate power in society - Britain remains a constitutional
monarchy not a parliamentary democracy - do so by virtue
of accident of birth rather than on merit or electoral choice.
Royal occasions in the second half of the nineteenth century
when Queen Victoria was on the throne, such as weddings
and jubilees, provoked significant protest.
There were a number of underlying motivations for such
protests - not all progressive, there was an element of anti-German
xenophobia - but a key one was the cost.
Expenditure on royal pomp and ceremony was contrasted
with the large numbers in society who lived in absolute
poverty. The radical Reynolds’ Newspaper became the
biggest selling Sunday paper of the time centrally based on
virulently attacking the Royal Family and its aristocratic
hangers on.
Expenditure on things like the royal yacht and the royal
train were particular targets outside of specific ceremonial
occasions even at that time.
The May 2018 wedding of Meghan and Harry will no doubt be
seen by numbers in this familiar context: Austerity Britain
and universal credit versus a pageant of the rich with
expenditure being no object.
Keith Flett
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